…Auditions That Will Lead to Fame, Success and Glory.

Tempo Tuesday

The Metropolitan Opera

Join some of your fellow Tempo opera-phites anytime between the hours of 10 a.m. and 2:30 this Saturday, December 3 at the McKnight Theatre in the Ordway Center for the Metropolitan Opera National Council Regional Auditions. Different auditions will be taking place during this time-span, and you are free to come and go as you please!

What are the Metropolitan Opera National Council Regional Auditions? They are the preliminary rounds for the National Council Auditions that will lead to fame, success and glory. Many of the world’s foremost singers, among them Renée Fleming, Susan Graham, Thomas Hampson, Ben Heppner, Jessye Norman, Samuel Ramey, Frederica von Stade, Deborah Voigt and Dolora Zajick have received awards from the National Council. Annually, approximately 100 former auditioners appear in Metropolitan Opera productions. For more information on the auditions, visit: http://www.metoperafamily.org/metopera/auditions/national/index.aspx

Special appearances from friends of Minnesota Opera will take place at 11:05, 11.25, 12:25 and 12:45.

11:05AM- Victoria Vargas, mezzo soprano – Victoria is a resident artist with Minnesota Opera and a featured performer at Opera Tasting 2011.

11:25AM- Angela Mortellaro, soprano – Angela is a resident artist with Minnesota Opera and was featured this season as Despina in Cosi fan tutte and Madeleine in Silent Night.

12:25PM- Rudolfo Nieto, bass baritone – Rudy was a resident artist with Minnesota Opera during the 09-10 and 10-11 seasons, as well as a featured performer at OT 2011.

12:45PM- Brad Benoit, tenor – Brad was a resident artist with Minnesota Opera during the 08-09, 09-10 and 10-11 seasons, as well as a featured performer at OT 2011. If you attended opening night of Silent Night, you will remember Brad’s brilliant tenor voice filling in for a sick William Burden.

I speak Southern. Just you try and tell me it’s not a language. Try.

Feature Friday

Angie Keeton (Teaching Artist)

What made you decide on a career in the arts?

Angie Keeton (Teaching Artist)

I don’t know if you really get to decide. Many talented folks try so hard for so long and still never get the chance to make this their full-time job. Hard work, sacrifice and luck all play into the equation when it comes to any non-profit work in the arts. Originally I was going to study medicine, but caught the performing bug in High School. With a LOT of encouragement from my teacher and even MORE counseling for my parents, I was lucky enough to get to study music in college and have been ten times as lucky to be able to make a living performing and teaching.

How long have you been working with opera?

I hadn’t even seen an opera until I was 18 years old. It was La traviata at Opera Theater of St. Louis. I wept my eyes out and decided that THAT was what I wanted to do. But I performed in my first opera 3 years later as a junior in college (Faust).

My first time in a show with Minnesota Opera was as a supernumerary in Rigoletto in 2003. I started as the Teaching Artist in early 2004. My 2 sad years away makes this my 6th FULL season serving as Teaching Artist.

What do you think makes Minnesota Opera unique from other companies?

I have never felt part of a work “family” more than with Minnesota Opera. Although the company produces opera and opera education programs that are world-class, there is still a small-company charm about it. Everyone is so committed to making a great experience for the artists and partrons. I am very proud to say that I work for this company.

Is there any “haute” backstage gossip you would like to share from this or previous performances?

Well, I don’t want to get in trouble. But in my first comprimario role in Madame Butterfly in 2004, one of my chorus colleagues, who is a MNOP veteran, always came to visit me on stage right before I was supposed to sing my lines as Butterfly’s cousin. He would hand me some random object that he was hiding up the sleeve of his kimono. One night it was a plastic eyeball, the next night an ENTIRE role of gaffers tape. But the last night he handed me a piece of chocolate that, god forbid, was going to melt all over the $1000 silk kimono if I didn’t eat it right away. Luckily I was able to gobble it up and clear my throat just before singing my line. Hope I don’t get banned from the costume shop for breaking the #1 commandment—NO EATING IN COSTUME!

If you were stuck on a deserted island and could only bring three things, what would they be?

Husband Seth, baby Miles and our 7lb rescue mutt, Stevie. But do you think I could get a bonus item in the form of a case of a good red wine for being such a good mom?

What has been the most challenging piece you have worked on and why?

Nixon in China at Minnesota Opera. You are just flying by the seat of your pants, concentrating on the challenging and unpredictable rhythmic patterns for 3 hours. It was thrilling and exhausting, but we always wondered if the audience realized how hard it was for the performers.

Besides opera, do you have any other favorite genres of music? What are some of your favorite artists from that genre?

I really listen to anything and everything. It helps me stay in touch with the kiddos I visit in the schools, as well as hold on to my youth. But our collection of music spans from Medieval Chant to LCD Soundsystem, or from Willie Nelson and Jonny Cash, to William Shatner’s “Has Been” album. You just never know what you’re gunna get if you shuffle our iTunes library.

Are you really as scandalous as they say you are?

Me? No. I’m just all talk and no walk. Anyway, I work with kids! However my alter-ego, Sergeant Keeton, is a different story. To find out more about her, you have to attend Tempo’s annual Opera Boot Camp.

Do you have Twitter, a Facebook page or website fans can follow?

www.angelakeeton.com

Do you speak any languages besides English? What are they?

Typical singer’s working knowledge of French and Italian but my conversation skills are best auf Deutsch!

Gabriel Preisser (baritone, Lieutenant Gordon, Resident Artist)

Where are you based when not performing?

Gabriel Preisser (baritone, Lieutenant Gordon, Resident Artist)

Orlando

What advice do you offer aspiring artists?

Stay out of debt and follow your passion.

Where do you feel you delivered your strongest performance?

Figaro in Barber of Seville with Owensboro Symphony.

What tends to be the most challenging element of performing?

Making new and fresh every time.

Are you really as scandalous as they say you are?

I love to have a fun time, let’s leave it at that.

Are there any favorite backstage stories/moments you would like to share?

Tenors… Agh…! “Where is the Count for his entrance?” Holds the show… Oh turns out he is taking a shower backstage. He thought he had enough time between scenes and was getting sweaty the poor thing… Tenors!

What are your top three favorite operas?

Falstaff, Giovanni, Il Pagliacci

What is your dream role?

Rigoletto

How long have you been working with opera?

About 8 years

What has been the most challenging piece you have worked on and why?

Postcard from Morroco, complex music and subject matter.

Mary-Lacey Rogers (Resident Artist Administrator)

How has music changed your life?

Mary-Lacey Rogers (Resident Artist Administrator)

It’s made me more self-aware and forced me to redefine the word “perfect.” It’s a brutal career path and staying grounded is a talent not maintained by all.

What do you think makes Minnesota Opera unique from other companies?

Everyone here cares about what you’re doing, why you’re doing it, and what they can do to make you or it better. Since I’ve been here I’ve been helped through running resident artist auditions to being offered winter clothes for my first winter ever… It’s an all around support system.

 Is there any “haute” backstage gossip you would like to share from this or previous performances?

The Cosi cast liked eating potato chips with pickles…. In the same bite. Gross.

What do you typically order when you go out for coffee?

“The largest coffee you have plus a shot.”

Besides opera, do you have any other favorite genres of music? What are some of your favorite artists from that genre?

Country, Jazz, Blues, Pop—anything with a good story and a good beat.

Name your top five favorite movies.

Peter Pan

The Wedding Date

Sleepless In Seattle

Anything with “James Bond” in the title

The Proposal (#5 changes out depending on my mood and the weather)

Are you really as scandalous as they say you are?

I’ve heard rumor that behind my back, fellow employees call me a “kitten with a whip.” I’m not ashamed…

Do you have Twitter, a Facebook page or website fans can follow?

I have a blog! The Rustic Stiletto : http://therusticstiletto.wordpress.com/

Do you speak any languages besides English? What are they?

I speak Southern. Just you try and tell me it’s not a language. Try.

What do you like to do when you aren’t busy creating great opera?

Well the first time I wasn’t involved in an opera, I biked across America, a 4,000 mile, 62 day, Baltimore to San Francisco bike ride. Then I became a PADI certified Open Water, Advanced, and Rescue Diver and moved to Key Largo to restore Coral Reefs. Then I went into the wilderness in Utah to learn canyoneering, white water rafting, and how to safely remove scorpions from your sleeping bag while you’re still inside. Then I got Wilderness Medicine certified and obtained my Wilderness First Responder so that I could save myself (and others) in the wilderness. I assisted in Pediatric Pulmonary Cancer research study, and picked up blogging. (“creating great opera” is a really stable thing for me to keep doing…..)

They trade booze, tell stories, play soccer, and do other fun things to cut the tension of wanting nothing but to murder each other moments before.

I Remember Thursday

“The work, based on a true incident from WWI, tells of three troops- one Scots, one German, and one French- who agree to a truce for Christmas eve, and find themselves unable to fight thereafter. The music and acting were stunning in their beauty. I was moved to quiet tears more than once.” -Diana Green 

Diana Green

Diana Green

Diana Green

“Once again, the MN Opera put on an amazing performance. As usual, it’s difficult to draw when the action is so amazing, you want to just lose yourself in what’s going on on-stage, but add to that the incredible sets and music this time around, and I had the most difficult time yet trying to draw what was going on and not just watch. Thanks again to everyone who made this possible! ” -Jeremiah Halonie

Jeremiah Halonie

Jeremiah Halonie

Jeremiah Halonie

“Until last Thursday evening and the world premiere of Silent Night, an operatic rendition of the 2005 movie Joyeux Noel. It relates the tale of British, French, and German soldiers during World War I who disobeyed orders and spent the holiday not killing each other. The experience was, in a word, big. The staging, production and vocals were brilliant.” -Joel Vollmer

Joel Vollmer

Joel Vollmer

“I’m always amazed by the strength and simplicity of the sets at MN Opera, but Silent Night went way beyond previous shows. I was amazed by how viewpoint and sympathy could shift as the stage rotated, and how dropping a window onto the battlefield could transform it into a mansion while retaining the sense of lonliness and fragility.” -Kate Saturday

Kate Saturday

Kate Saturday

“The MN Opera company was kind enough to let myself and several other comic artists in to yet another of their final full dress rehearsals this past week, so we could sketch, and tell you all how awesome it was. Thankfully, it was, as usual, pretty dang awesome. In fact, it was one of my favorites so far. The show was brand new, and commissioned by the opera company and was one of only 3 new, premiering operas in the US this whole year. It was called Silent Night, and was about the Christmas eve truce in WWI, between the French, the Germans, and the Scotts. It was surprisingly light on religious overtones, and focused more on the very human and earthy motivations and interactions of the men and women involved.” -Lee Blauersouth

Lee Blauersouth

Lee Blauersouth

“All the soldiers convene and mingle.  They trade booze, tell stories, play soccer, and do other fun things to cut the tension of wanting nothing but to murder each other moments before.  Horstmayer finds Audebert’s wallet and gives it to him, solidifying their friendship.” -Thomas Boguszewski

Thomas Boguszewski

Thomas Boguszewski

 

 

“The largest coffee you have plus a shot.”

Feature Friday

Angie Keeton (Teaching Artist)

What made you decide on a career in the arts?

Angie Keeton (Teaching Artist)

I don’t know if you really get to decide. Many talented folks try so hard for so long and still never get the chance to make this their full-time job. Hard work, sacrifice and luck all play into the equation when it comes to any non-profit work in the arts. Originally I was going to study medicine, but caught the performing bug in High School. With a LOT of encouragement from my teacher and even MORE counseling for my parents, I was lucky enough to get to study music in college and have been ten times as lucky to be able to make a living performing and teaching.

How long have you been working with opera?

I hadn’t even seen an opera until I was 18 years old. It was La traviata at Opera Theater of St. Louis. I wept my eyes out and decided that THAT was what I wanted to do. But I performed in my first opera 3 years later as a junior in college (Faust).

My first time in a show with Minnesota Opera was as a supernumerary in Rigoletto in 2003. I started as the Teaching Artist in early 2004. My 2 sad years away makes this my 6th FULL season serving as Teaching Artist.

What do you think makes Minnesota Opera unique from other companies?

I have never felt part of a work “family” more than with Minnesota Opera. Although the company produces opera and opera education programs that are world-class, there is still a small-company charm about it. Everyone is so committed to making a great experience for the artists and partrons. I am very proud to say that I work for this company.

Is there any “haute” backstage gossip you would like to share from this or previous performances?

Well, I don’t want to get in trouble. But in my first comprimario role in Madame Butterfly in 2004, one of my chorus colleagues, who is a MNOP veteran, always came to visit me on stage right before I was supposed to sing my lines as Butterfly’s cousin. He would hand me some random object that he was hiding up the sleeve of his kimono. One night it was a plastic eyeball, the next night an ENTIRE role of gaffers tape. But the last night he handed me a piece of chocolate that, god forbid, was going to melt all over the $1000 silk kimono if I didn’t eat it right away. Luckily I was able to gobble it up and clear my throat just before singing my line. Hope I don’t get banned from the costume shop for breaking the #1 commandment—NO EATING IN COSTUME!

If you were stuck on a deserted island and could only bring three things, what would they be?

Husband Seth, baby Miles and our 7 lb. rescue mutt, Stevie. But do you think I could get a bonus item in the form of a case of a good red wine for being such a good mom?

What has been the most challenging piece you have worked on and why?

Nixon in China at Minnesota Opera. You are just flying by the seat of your pants, concentrating on the challenging and unpredictable rhythmic patterns for 3 hours. It was thrilling and exhausting, but we always wondered if the audience realized how hard it was for the performers.

Besides opera, do you have any other favorite genres of music? What are some of your favorite artists from that genre?

I really listen to anything and everything. It helps me stay in touch with the kiddos I visit in the schools, as well as hold on to my youth. But our collection of music spans from Medieval Chant to LCD Soundsystem, or from Willie Nelson and Jonny Cash, to William Shatner’s “Has Been” album. You just never know what you’re gunna get if you shuffle our iTunes library.

Are you really as scandalous as they say you are?

Me? No. I’m just all talk and no walk. Anyway, I work with kids! However my alter-ego, Sergeant Keeton, is a different story. To find out more about her, you have to attend Tempo’s annual Opera Boot Camp.

Do you have Twitter, a Facebook page or website fans can follow?

www.angelakeeton.com

Do you speak any languages besides English? What are they?

Typical singer’s working knowledge of French and Italian but my conversation skills are best auf Deutsch!

Gabriel Preisser (baritone, Lieutenant Gordon, Resident Artist)

Where are you based when not performing?

Gabriel Preisser (baritone, Lieutenant Gordon, Resident Artist)

Orlando

What advice do you offer aspiring artists?

Stay out of debt and follow your passion.

Where do you feel you delivered your strongest performance?

Figaro in Barber of Seville with Owensboro Symphony.

What tends to be the most challenging element of performing?

Making new and fresh every time.

Are you really as scandalous as they say you are?

I love to have a fun time, let’s leave it at that.

Are there any favorite backstage stories/moments you would like to share?

Tenors… Agh…! “Where is the Count for his entrance?” Holds the show… Oh turns out he is taking a shower backstage. He thought he had enough time between scenes and was getting sweaty the poor thing… Tenors!

What are your top three favorite operas?

Falstaff, Giovanni, Il Pagliacci

What is your dream role?

Rigoletto

How long have you been working with opera?

About 8 years

What has been the most challenging piece you have worked on and why?

Postcard from Morroco, complex music and subject matter.

Mary-Lacey Rogers (Resident Artist Administrator)

How has music changed your life?

Mary-Lacey Rogers (Resident Artist Administrator)

It’s made me more self-aware and forced me to redefine the word “perfect.” It’s a brutal career path and staying grounded is a talent not maintained by all.

What do you think makes Minnesota Opera unique from other companies?

Everyone here cares about what you’re doing, why you’re doing it, and what they can do to make you or it better. Since I’ve been here I’ve been helped through running resident artist auditions to being offered winter clothes for my first winter ever… It’s an all around support system.

 Is there any “haute” backstage gossip you would like to share from this or previous performances?

The Cosi cast liked eating potato chips with pickles…. In the same bite. Gross.

What do you typically order when you go out for coffee?

“The largest coffee you have plus a shot.”

Besides opera, do you have any other favorite genres of music? What are some of your favorite artists from that genre?

Country, Jazz, Blues, Pop—anything with a good story and a good beat.

Name your top five favorite movies.

Peter Pan

The Wedding Date

Sleepless In Seattle

Anything with “James Bond” in the title

The Proposal (#5 changes out depending on my mood and the weather)

Are you really as scandalous as they say you are?

I’ve heard rumor that behind my back, fellow employees call me a “kitten with a whip.” I’m not ashamed…

Do you have Twitter, a Facebook page or website fans can follow?

I have a blog! The Rustic Stiletto : http://therusticstiletto.wordpress.com/

Do you speak any languages besides English? What are they?

I speak Southern. Just you try and tell me it’s not a language. Try.

What do you like to do when you aren’t busy creating great opera?

Well the first time I wasn’t involved in an opera, I biked across America, a 4,000 mile, 62 day, Baltimore to San Francisco bike ride. Then I became a PADI certified Open Water, Advanced, and Rescue Diver and moved to Key Largo to restore Coral Reefs. Then I went into the wilderness in Utah to learn canyoneering, white water rafting, and how to safely remove scorpions from your sleeping bag while you’re still inside. Then I got Wilderness Medicine certified and obtained my Wilderness First Responder so that I could save myself (and others) in the wilderness. I assisted in Pediatric Pulmonary Cancer research study, and picked up blogging. (“creating great opera” is a really stable thing for me to keep doing…..)

Rumblings from the Opera Troops!

Feature Friday

Liam Bonner (baritone, Audebert)

Where are you based when not performing?

Liam Bonner (baritone, Audebert)

New York City.

What advice do you offer aspiring artists?

Be yourself.

If you were stuck on a deserted island and could only bring three things, what would they be?

My personality wouldn’t allow me to survive on a deserted island; Castaway was very traumatizing for me

What is your dream role?

Germont in La traviata

 Are there any favorite backstage stories/moments you would like to share from this or previous performances that our audience might enjoy?

Ewa Podles and I were doing Ballo together in Houston and since we were both finished at the end of the first act, we hung out in the dressing room on opening night drinking the bottle of champagne given to us as a gift until it was time for the curtain call. She told me her life story.

What are your top three favorite operas?

Marriage of Figaro, Don Carlo, Billy Budd

Have you ever had hot dish, and if so what is your favorite variety?

I have had “hot dish”, but in Pittsburgh (where I’m originally from) it’s just called a casserole. My favorite is zucchini casserole.

Where do you feel you delivered your strongest performance?

As the title role in Halmet with Washington National Opera.

What has been the most challenging piece you have worked on and why?

Stravinsky’s ‘Les Noces’  – besides the fact that it’s musically challenging, it’s also in a rural Russian dialect that even my Russian speaking colleague had trouble learning.

How has music changed your life?

I never planned to make a career in music, but I can honestly say that I can’t imagine it any other way. I am aware of how blessed and fortunate I am to be making a living in this profession.

Jamie Andrews (Community Education Director)

What made you decide on a career in the arts?

Jamie Andrew (Community Education Director)

I was not good enough to play for the Twins.

How long have you been working with opera?

Since 2002.

What is your favorite Twin Cities destination?

-My house

-West River Road, on my bike, at sunrise in the fall.

What has been the most challenging piece you have worked on and why?

Eight Pieces for Four Timpani by Elliot Carter

Besides opera, do you have any other favorite genres of music? What are some of your favorite artists from that genre?

Jazz (Miles Davis and Esperanza Spalding)

Name your top five favorite movies.

Goodfellas

Enchanted April

Mediterraneo

Santa Claus Conquers the Martians

The Godfather

How has music changed your life?

It opened so many doors, like the opportunity to travel and meet incredible people, that I could never had imagined growing up in a very small town in WI.

What are your top three favorite operas?

Der Rosenkavalier, Ring Cycle, Falstaff

What do you like to do when you aren’t busy creating great opera?

Going to graduate school.

Have you ever had hot dish, and if so what is your favorite variety?

Tator-tot! What else?

Philip Ostrander, trombone

What made you decide on a career in the arts?

My parents are music educators and I tried to do anything and everything else and couldn’t.

How long have you been working with opera?

5 Seasons.

What do you think makes Minnesota Opera unique from other companies?

The Twin Cities community financial support for the arts, great marketing, costumes, sets.  It’s a great show.

What is your favorite Twin Cities destination?

XCEL center for hockey games!

If you were stuck on a deserted island and could only bring three things, what would they be?

My bible, wife and children.  Maybe some water.

Where do you get your news?

Local Eau Claire newspaper.

What is your favorite thing about Minnesota?

Hockey.

What are your top three favorite operas?

Boheme, Magic Flute, Ring Cycle

What has been the most challenging piece you have worked on and why?

A concerto I’m performing by Gunnar De Frumerie.  Technical and range expectations are very difficult.

Do you have Twitter, a Facebook page or website fans can follow?

http://www.uwec.edu/Mus-The/faculty/ostranpa.htm

…When the composer and librettist are at the office every day – you want the success for them.

I Remember Thursday

Lani Willis (Communications & marketing director)

The Grapes of Wrath, © Michal Daniel

Getting to work on The Grapes of Wrath was a privilege and a high point of my time here at Minnesota Opera. It was a big epic opera, and a big epic project; leading up to the world premiere, we hosted lots of community events and worked very long hours, but rather than feeling exhausted, I remember feeling energized. Commissioning and producing this amazing new work had both a galvanizing effect on the staff and transformative impact on the company. I think there was simply a different level of ownership in making it a success. Of course, for any opera, the marketing and communications team wants to have great placements in the media, wants it to be a box-office hit, and wants your audience and critics to love it. But when the composer and librettist are at the office every day – living, breathing human beings that become your friends – you want the success for them. (When you stage Boheme, you want it to be a blockbuster, but not because you care at this point what it means to Puccini!)

The Grapes of Wrath, © Michal Daniel

I started to realize that dynamic at the break of the final run-through. I was standing by Ricky Ian Gordon, the composer, at the top of the steps in the Bemis rehearsal room. We’d just watched the first two acts, which culminate with Noah’s suicide by drowning, when he hears Ma Joad’s lullaby. There was this brief, emotionally charged stillness. Almost everyone in the chorus was frozen in tears. The few guests in attendance were in tears. Artistic Director Dale Johnson was in tears. I was in tears. Ricky was definitely in tears! He asked, “Do you think it’s good?” and I gave him a big hug and said, “Yes, I think it’s good!”

The Grapes of Wrath

The Grapes of Wrath, © Michal Daniel

Bring on the troops!

Music Monday

background notes by David Sander with costume sketches from the show

Silent Night

The General

World War I and the 
Christmas Truce of 1914

Now approaching its centenary, World War I scarcely receives the same attention as its more atrocious and deadlier younger sibling. Yet the conflict’s position in history reveals a horrific change in modern warfare tactics that must have shocked and overwhelmed its participants.Previously, Western Europe had enjoyed an unprecedented 43-year period of relative peace. The last major clash had been between France and Prussia in 1870–71, instigated by the former, but provoked by the latter over the succession of the Spanish crown to a Hohenzollern heir. Since the Napoleonic wars, the Germans had been engaged in a massive land-grab, acquiring Schleswig-Holstein in 1864; Hesse, Hanover and Mecklenburg in 1867; Bavaria in 1871; and the Alsace and Lorraine districts following the French defeat. It was at this point Wilhelm I appointed himself Emperor of the Second Reich.

Scottish Soldiers

The Kaiser’s rise in prominence attracted the attention of England’s Queen Victoria, who in the process of arranging royal matches for her litter of children, chose Wilhelm’s son, the Crown Prince Frederick, for her oldest daughter “Vicky.” Sadly, the heirs apparent would only enjoy a short time in the spotlight as Frederick died in the first year of his reign, leaving the empire to his son Wilhelm II. Through other dynastic marriages, the new Kaiser found himself first cousins to George V of England, Nicholas II of Russia and various heads of state as Victoria’s other children would make similar matches. Danish King Christian IX likewise became “father-in-law” to Europe through the marriages or successions of his four children. This close bloodline would cast an uneasy pale over the Great War that was to come.

Ponchel

Following the Franco-Prussian War, politics on the Continent continued to sour. France, Austria and Denmark would never get over their strategic and territorial losses. Austria found some solace in assimilating the Balkan nations of Bosnia and Herzegovina, an action supported by the diplomatically sympathetic Germans, while angering the other Balkan nations, Serbia in particular. Russia had the recent unpleasant memory of losing a war in the Crimea (1853–56) fought against Turkey, France and Britain. Nonetheless, an eventual alliance was made between the three unlikely comrades who now feared a newly unified Germany’s menacing power. Britain, in particular, was drawn out of historical isolationism after seeing Russia’s disastrous defeat in the Russo-Japanese war in 1905, knowing France would need at least one functional ally.

Nikolaus Sprink

For all his bluster, Wilhelm II was terrified of the shift in balance of power, for his only treaty was with Austrian Emperor Franz Joseph, a relationship that had been tested by his grandfather in the 1866 war between the two countries. In an unexpected tactical move, when the young Kaiser inherited his empire, he foolishly dismissed the new Reich’s architect, Otto von Bismarck. Through duplicity, diplomacy and guile, the former chancellor had carefully engineered the map of Europe to Germany’s advantage. Wilhelm preferred a more direct approach and embraced the “Schlieffen Plan,” a remarkably detailed and audacious top-secret preparation to invade France through Belgium and the Alsace-Lorraine (to be fair, France had a similar Plan XVII designed to retake its conquered provinces). The army could be sustained by Germany’s vastly superior and government-controlled railway system, giving the initiative enough manpower and artillery to capture Paris in 39 days. Attention could then be shifted to the east, as it would take the third entente member, Russia, at least that long to marshal its forces, thereby avoiding a war on two fronts.

Madeleine Audebert

Wilhelm found his opportunity when the heir to the Austrian Empire, Franz Ferdinand, and his wife were fatally shot on June 28, 1914, in Sarajevo, Bosnia, by a member of the Serbian radical group, the Black Hand (the anarchists had already successfully murdered the king and queen of Serbia in 1903). He privately urged the archduke’s uncle, Franz Joseph, to take decisive action. When a list of unrealistic demands to investigate the matter was rejected (actually the Serbian government agreed to all but a few points), Austria recalled its ambassador and declared war within the month. The resulting conflict in the remote Balkans was hardly a concern for greater Europe, but all the treaties were triggered into action. Russia was honor-bound to defend Serbia and entered the war on its behalf. Wilhelm was obligated to fight on Austria’s side, and to justify the protection of Germany’s own borders in East Prussia, he seized the opportunity to initiate the Schlieffen Plan against Russia and its allies. On August 4, 1914, the Germans invaded Belgium and headed toward France. As this action was a violation of Belgian neutrality, Britain was obliged to enter the war, against strong opposition.

Lieutenant Horstmayer

The Schlieffen Plan was largely an intellectual exercise and didn’t account for a fair amount of Belgian resistance or British involvement. Nonetheless, in a few months the Germans found themselves entrenched on the French border. A war that was supposed to be over in six weeks had stalemated by December. Part of the problem was the increased lethality of industrialized nations. Nineteenth-century warfare had been a gentlemanly undertaking, where major battles would be decided in just a few days. In the four-decade gap since the last skirmish, both sides had significantly developed the velocity and range of artillery, which now included bolt action rifles, Howitzers, machine guns and tanks. Cavalry, cannons and bayonet runs were replaced by large, black, ear-splitting siege guns (christened “Black Berthas,” after the Krupp bomb manufacturing heiress) that yielded nitrate incendiary devices, capable of killing more soldiers with greater force, as did the subsequent introduction of unpredictable, toxic chlorine gas. In trenches that ran from the English Channel to Switzerland, both sides dug in their heals for a subterranean war of attrition and endured hideous conditions – cold, moisture, mud, vermin, barbed wire, bombs and bullets – as well as a range of new illnesses coined “shellshock” and “trench foot.”

Jonathan Dale

By December, Pope Benedict XV called for a cessation of hostilities for the holiday season, and both sides were ready for a break in the unanticipated carnage. Acceptable military code allowed for small armistices during the course of a war (for meals and to bury the dead), and fraternization with the enemy, though discouraged, had occurred as recently as the Crimean, Civil and Franco-Prussian wars. “Tommy” and “Fritz” could put aside obligatory nationalism to see their opponents as regular guys forced into combat by ambitious superiors. Given Britain’s strong German ties, many soldiers had actually worked in England and spoke English. Saxons and Anglo-Saxons had a shared ancestry, and most of the other Germans were Bavarian, Hessian and Westphalian reservists rather than soldiers of the Prussian elite – those were sent to the eastern front to defend their native lands. It was not uncommon for lower-grade officers to also participate in these proceedings, though some shrewdly left it to the enlisted men, believing the casual exchange might lead to useful intelligence from the other side of No Man’s Land.

Father Palmer

Still, an official Christmas truce in 1914 was out-of-the-question, yet contrary to popular belief, there were many of them up and down the lines. The British had received care packages from King George’s daughter, Princess Mary, containing tobacco and chocolate, and the Germans were given cigars, beer and Tannenbäume from 32-year-old Kronprinz Wilhelm (who actually commanded the Fifth Army in the Argonne). Interactions varied from singing holiday songs back-and-forth between the trenches to actual cease-fires with both sides meeting on the battlefield, sharing a smoke and exchanging rations. One had to be careful not to get too close to enemy territory, for some soldiers were taken prisoner if they gained any knowledge of positions or weaponry. Many of the British were perplexed by the appearance of the candle-lit trees over the makeshift bunkers and the kind spirits of the Germans – these were, after all, the same people who had brutally invaded Belgium with little regard for civilian life or property. Nonetheless, if they kept the conversation light and didn’t discuss the war, conviviality could be maintained.

William Dale

Once part of the proud Napoleonic Grande Armée until La Débâcle (their defeat to the Prussians), the French soldiers were a little more hesitant to be cordial, given Germany’s aggressive history toward their country, with its siege and land seizure just 40 years earlier, and at present at the edge of France with the intent to recapture Paris. With the spirit of revanche, their camaraderie was not nearly on the same scale as the British. As one recorded, “You would not find the French and Germans exchanging cigarettes, I think, even if it were the morning of Judgment Day.” (In contrast, one rather ungrateful French soldier remarked to a German, “Beat those Britishers. We have no use for them.”) Though there were short agreements to lay down arms in order to take care of the dead (many of whom had been putrefying on the battlefield for weeks), after the task was completed, the animosity on both sides only grew.

French Soldiers

Experiences varied from place to place. In some cases, wild animals were shot, roasted and shared, and football games (American soccer) allegedly took place on Christmas Day (though the shell-pitted battlefield may have presented somewhat of a challenge). Two famous opera singers were recognized singing at the front. Incidents of haircuts, juggling and backwards bicycling were reported, and newspapers were exchanged as the Germans believed theirs were filled with lies. Many thought of extending the armistice to Boxing Day (December 26) or all the way to the New Year. Photos were taken and letters of disbelief were sent home detailing the unusual circumstances – several found their way into the English and German periodicals alongside reports of their adversaries’ barbarity. When hostilities did resume, it was with reluctance, and the conflict was slow to achieve its original pitch.

British Major

Naturally, when news reached headquarters of these unofficial armistices, the high command was not pleased, but retribution was relatively lax. Though anti-fraternization is key to the success of any soldier, there was still a sense of wartime chivalry and few court-marshals were conducted, only a stern warning not to do it again. Many units were redeployed as it was believed they would not fight with the same voracity now that they had met the enemy face-to-face.

German Soldiers

There was more talk about a truce the following Christmas. Some veiled attempts – songs in trenches and casualty burials – did occur but nothing to the degree as what had been experienced one year earlier. The war had taken on a harsher tone of inhumanity with a greater intensity of slaughter. Soldiers had witnessed the menacing effects of poisonous gas, Zeppelin and airplane bombings and submarine warfare, now tainted by the sinking of the Lusitania, an event that further damaged Germany’s image in the world view (particularly by the Americans, who lost over 100 citizens in the almost 2,000 civilian deaths). In spite of these gruesome engagements, all with high casualties, the battle front was fairly static until the entrance of the United States in 1917. By then, Russia had been consumed by civil unrest, and Austria was secretly suing for peace with France. Finally, by November 11, 1918, Germany came to grips with its folly and surrendered unconditionally.

Kronprinz

In the end, the Schlieffen Plan ultimately failed. So promising at first, the maneuver had underestimated Paris’ garrison and the tenacity of its people, supply-and-demand problems at the invasion’s western-most flank, unreliable communication to forward positions and the earlier-than-anticipated mobilization of Russian troops in the east. The war redrew the map of Europe, costing millions of lives and the end of three empires while laying the groundwork for an even deadlier and more grotesque conflict just two decades later.

German Soldiers

Early in the War to End All Wars, a 25-year-old lance corporal had narrowly escaped death in the first battle of Ypres on the Belgian border. He vehemently declined to participate in the Christmas Truce that followed and was devastated by Second Reich’s loss nearly four years later. Embittered, a wildly patriotic Adolf Hitler set in motion his dangerous course for an apocalyptic new world order.

Anna