The Red Tape with the Red Curtain

Thank You Sweepstakes

Official Rules of Entry

Entrants must “Like” Minnesota Opera on Facebook by 11:59pm on Saturday, November 16, 2011 to be eligible for prizes; alternate entries will only be accepted in accordance with Wildfire App and Minnesota Opera’s promotion rules. Current fans who “Like” Minnesota Opera on Facebook are also eligible for the Sweepstakes, pending their completion of the entry form on Facebook. Entrants must submit address and phone number on the Sweepstakes entry form to be eligible to win one of three randomly selected Minnesota Opera prize packages. Winners will be notified by phone no later than Monday, November 14, 2011. The grand prize winner will have a choice of two tickets to the following performances of Silent Night: 11/15, 11/17 or 11/19 (shows begin at 7:30pm at Ordway Center for the Performing Arts in Saint Paul, MN) or 11/20 (show begins at 2:00pm at Ordway Center for the Performing Arts in Saint Paul, MN). Tickets will be held at the “WILL CALL” box office window for the grand prize winner. Additional prize items for the grand, second and third prize winners will be sent via USPS within one week of the drawing.

Entrants can enter the Sweepstakes for free by the Alternate Method of Entry.

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Prizes

Help Minnesota Opera reach 2,500 fans by midnight on November 12! “Like” Minnesota Opera and fill out the following form for a chance to win one of THREE prize packages (fans who already “Like” Minnesota Opera will be automatically eligible for the drawing if entry form is completed).

The grand prize includes two tickets to Silent Night – Minnesota Opera’s world premiere opera (two tickets for one of the following performances: 11/15, 11/17, 11/19 or 11/20), a Silent Night show poster autographed by Composer Kevin Puts and Librettist Mark Campbell, a copy of Making An Opera: The Grapes of Wrath on DVD and two vouchers redeemable for beverages or desserts at Ordway Center for the Performing Arts.

The second prize includes a copy of Making An Opera: The Grapes of Wrath on DVD and two vouchers redeemable for beverages or desserts at Ordway Center for the Performing Arts, and the third prize includes two vouchers redeemable for beverages or desserts at Ordway Center for the Performing Arts.

Share the Sweepstakes on your wall or “Tweet” the link and help Minnesota Opera reach 2,500 fans. Thank you!

Be ready for givemn!

What does “scandalous” mean? It makes as much sense as “promiscuous” or “sacrilegious.”

Feature Fridays

Marcus Dilliard (lighting designer)

Of what previous work are you most proud?

Marcus Dilliard (Lighting Designer)

Uncle Vanya, The History Plays, The Cherry Orchard, Resurrection Blues and M. Butterfly for The Guthrie Theater, Turandot for Minnesota Opera, The Cunning Little Vixen for Portland Opera, Tartuffe and The Miser for Theatre de la Jeune Lune.

With what show would you most like to be involved and why?

The Ring Cycle – because it’s The Ring Cycle. And The Tempest, when it’s time to close the book.

How long have you been working in opera?

30 years

What do you think makes Minnesota Opera unique from other companies?

Courage and imagination, a rare combination these days.

If you were stuck on a deserted island and could only bring three things, what would they be?

My first thought was my wife and two daughters but assuming that they wouldn’t be too happy living on a deserted island, I’d have to say fishing tackle, matches and a lot of Tastycakes.

What has been the most challenging piece you have worked on and why?

Frankenstein, a million years ago at the Guthrie. It took me forever to figure out the aesthetic, so every minute of tech rehearsal was self-inflicted torture.

How has music changed your life?

Music and light are different manifestations of the same emotions. Learning that gave me a way of communicating with the world.

Are there any favorite backstage stories/moments you would like to share from this or previous productions?

Just recently, sitting backstage during Act II of Cosi fan Tutte on opening night, watching the moonrise on the Magic Garden. Thanks to a programming glitch, the moonlight was bright red. That doesn’t happen in the movies.

What are your top three favorite operas?

Only three? OK, The Cunning Little Vixen, The Flying Dutchman and Dialogues of the Carmelites.

Have you ever had hot dish, and if so what is your favorite variety?

Yes, of course. “Beef stroganoff” hot dish.

Mark Stephen Campbell (librettist)

What advice do you offer aspiring artists?

Mark Stephen Campbell (librettist)

Ignore people who give you advice.

Who are your biggest inspirations?  

I could come up with some highfalutin names but I have to say I draw the most inspiration from the people I’m currently working with. And in this case, the producers (notice I mention them fir$t), the director, the conductor, the cast (especially) are a constant source of inspiration.

Of what previous work are you most proud?

The best parts of Later the Same Evening, Bastianello, and Songs from an Unmade Bed.

How long have you been working in opera?

About 10 years. I started when I was 8.

What do you think makes Minnesota Opera unique from other companies?

Oh, jeez. I dunno. Many reasons. But I think it helps that Minnesota Opera is in Minnesota, a state that demonstrates a very real understanding of the importance of art in our lives. If Minnesota Opera were in Wyoming that might not be the case.

What is your favorite Twin Cities destination?

Right now, the rehearsal hall. I hope that will change, however, when Minnesota Opera allows me travel on my own.

If you were stuck on a deserted island and could only bring three things, what would they be?

Hmmmmm. Well, let’s take this question in a different direction because you could bring ONE thing and it would get you off of the deserted island (like an amazing cell phone). Okay, I’ll just answer the question: a food source, a water source and Bill Burden’s sense of humor.

What has been the most challenging piece you have worked on and why?

Maybe The Inspector. Humor can be difficult business.

Are you really as scandalous as they say you are?

What does “scandalous” mean? It makes as much sense as “promiscuous” or “sacrilegious.”

Have you ever had hot dish, and if so what is your favorite variety?

I have not and eagerly await anyone’s invitation to ask me to partake of this delightful regional culinary specialty!

Tommy Glass (chorus)

What made you decide on a career in the arts?

Tommy Glass, Minnesota Opera Chorus

Well, I’m actually a student at the University of St. Thomas in Saint Paul, and I’m majoring in Vocal Music Education and Vocal Performance, so I’m not quite to the career bit yet haha.  However, music specifically is something I’ve always connected with and the feeling of performing well in front of an audience makes me feel alive.

What is your favorite Twin Cities destination?

My favorite Twin Cities destination has got to be the Lakes area.  Walking around Calhoun and Harriet or relaxing on a dock on Harriet has got to be one of the most beautiful and enjoyable things about the area.  Sunsets over Harriet with the Minneapolis skyline in the background are to die for.

If you were stuck on a deserted island and could only bring three things, what would they be?

I would bring my iPhone, my headphones, and my guitar.  I could probably entertain myself endlessly that way.

What has been the most challenging piece you have worked on and why?

Since I’ve only been in two operas, I’d say Silent Night is the toughest.  I have a small part (French Soldier #2), and some of those rhythms are killer.  When it all gets put together however, it’s pretty cool.

How has music changed your life?

I think it opened up an area of myself that I didn’t know existed.  Being able to study music and perform it seriously gives way to raw emotion.  Music can be as powerful as you want it to be, and in some of the performances I’ve done, there have been moments I wouldn’t trade for the world.

If you had to choose a different field of work, what would you choose?

Broadcast journalism.  I have a lot of friends who are going into that field, and the work seems so interesting and important.  Plus, I may be no Ron Burgundy, but I like to think I have a pretty decent anchorman voice ;) .

What is your favorite thing about Minnesota?

Most definitely the colors season on Summit Avenue.  Gotta be the prettiest stretch of the Twin Cities.  Or Twins games in the summer.  Target Field is the greatest stadium in all of professional sports.

Do you speak any languages besides English? What are they?

I’m minoring in German, so I’m learning that.  I’ve also been to Mexico several times and took years of Spanish, so I can stumble through comprehending that.

One a scale of 1-10, 10 high, how foxy is James Valenti?

12.  He’s a fox.  And I’m straight and saying that.

Besides opera, do you have any other favorite genres of music? What are some of your favorite artists from that genre?

Though they’re at the exact opposite of the musical spectrum, AC/DC is one of my favorite bands of all time.  I can do a pretty good Brian Johnson impression as well, and can duckwalk just like Angus Young.  Beyond that, I listen to lots of music that’s on the Current.  Bon Iver is definitely one of my favorites.  Plus, he’s from Eau Claire, so that’s sort of within the Twin Cities area!

That boy is a monster…

I Remember Thursday

Beth Comeaux (Institutional Gifts Manager)

Over the course of 18 years and 16 performances with Minnesota Opera, I have just a few memories. One more dramatic memory that comes to mind was during Frankenstein, The Modern Prometheus by Libby Larsen over twenty (yikes) years ago. We were in “tech” week at The World Theater (now The Fitzgerald) and as with new works, there were adaptations to both the libretto and music each day. As a cast, we had gotten used to expect anything—and we also knew that there were going to be some a-typical elements to the show since we had a stage and a T.V. director—and we knew there would be a wee bit of electricity. You know, the kind that shows those cool bolts of lightening as Frankenstein’s monster was being jolted into life with his creator shouting “LIIIIIIIIIIVE!!!!” beneath him?

Yup.

Steven  Tharp, wonderful tenor (and fabulous actor—which was not in his favor in this instance), grabbed the cables that were lowering the monster. Unknown by anyone on stage, there happened to be electricity flowing through those cables, and we all thought that Steven’s “OH, MY GOD…OH, MY GOD!!! HELP ME!!!” was an extraordinary improvisation and that he as really getting into the scene.

Hm.

Nic Munic, stage director and saver of life, came bounding (yes, bounding) from the back of the theater, leaped onto the stage and tackled Steven  as if he was back in high school playing football. Had he not done so—and had Steven  not had on tennis shoes for rehearsal—our talented Dr. Frankenstein would have been toasted. And not in that good way.

All ended positively, though. Steven  survived, returning to rehearsal in a few days  and is currently in the midst of a wonderful career. One in which no live electricity is used. What was additionally memorable to this production, however, was that Kevin Smith (former President & CEO of Minnesota Opera) gave each cast member the permission to be released from the show, no questions asked.

What? And give up show business?