What Fat Lady?

I would like to take a moment of your time to be a bit less refined and admire opera for qualities rarely discussed.

When considering the average opera singer, most in the general public think of the classic scary woman, spear in hand, wearing a horned helmet and pigtails. Hopefully these will help put that image to rest.

Enjoy! (And you’re welcome.)

Composer Kevin Puts, winner of the 2012 Pulitzer Prize for Silent Night

Mezzo-soprano Roxana Constantinescu

Minnesota Opera production of Cos“i fan tutte, music by Wolfgang Amadeus Mozart

Denyce Graves, Mezzo-soprano

Bass-baritone Rodolfo Nieto

 

 

 

 

 

 

- Colin Dickau, Tempo Board of Directors

Visit Minnesota Opera’s blog every week for Tempo Tuesday

A boat, a back up boat, and a captain…

Feature Friday

Daniel Mobbs (baritone, Don Alfonso)

Where are you based when not performing?

Daniel Mobbs as Tell in Rossini's Guillaume Tell at the Caramoor International Music Festival Photo © by Gabe Palacio

My partner Vince and I live in center city Philadelphia.

What advice do you offer aspiring artists?

Don’t concentrate on “making it” because there is no “it”.  A career goes up and down so many times, you just have to ride the ride.

Who are your biggest inspirations?

Beverly Sills for one. The American who was scrappy and long lasting in her many roles in the operatic world.

Where do you feel you delivered your strongest performance?

Every summer for 12 years I have had the pleasure to sing bel canto roles with the Caramoor International Music Festival. The most wonderful crowds and colleagues make for the best concerts I’ve ever done.

What is your dream role?

Just sang William Tell this summer at Caramoor which was a dream come true. In the future I would love to sing John the Baptist in Salome. I made my debut in this opera in a tiny part when I was 18, and have always dreamed of singing the leading baritone.

How long have you been working with opera?

This is my 20th season in the business.

What do you think makes Minnesota Opera unique from other companies?

The leadership here is unique in it’s closeness with the artists, the sweet and fun attitude of Floyd and Dale trickles down to all the staff here. Makes for a lot of fun at work, and a great product on stage.

If you were stuck on a deserted island and could only bring three things, what would they be?

A boat, a backup boat, and a captain.

What has been the most challenging piece you have worked on and why?

A piece called Dr. Faust, the last night by Pascal du Sapin at Spoletto. Terribly challenging music that took forever to learn. Made my brain hurt.

How has music changed your life?

One aspect of my career I love is introducing new people to the art form for the first time. People who never have gone to the opera come to hear me and they are really touched by opera.

 

 

Peter Rothstein (Director)

Where are you based when not performing?

Minneapolis

What advice do you offer aspiring artists?

Do what you love; your passion will take you further than your talent.

Who are your biggest inspirations?  

My teachers (too many to list here), young people discovering their love of performance, those who dare to create art despite the dangers or audacity of the act.

How long have you been working with opera?

College

What is your favorite Twin Cities destination?

The Lakes

How has music changed your life?

This impossible to answer, because I can’t imagine life without music.

If you had to choose a different field of work, what would you choose?

I’m quite certain I would succeed at nothing else, because I would always feel like I showed up at the wrong place.

What are your top three favorite operas?

The Tender Land, La Boheme,  Péleas and Mélisande

John Tessier (tenor, Ferrando)

Where are you based when not performing?

London, Ontario

What advice do you offer aspiring artists? 

Don’t let anyone stop you.
Who are your biggest inspirations?

My parents, my Wife and my teachers.

Where do you feel you delivered your strongest performance? 

When the police came to my door when I was 15.  “Where did you get these 46 pink flamingoes we found on your ex-girfriend’s lawn”.  I never had more clarity at any moment when I said “ Where did YOU get these 46 pink flamingoes”
What tends to be the most challenging element of performing?  

Getting out of one’s own way.
What do you typically eat before a performance? 

I eat early at about 3:30, chicken, rice and green beens.
What is your dream role? And why?

I love to sing Nemorino.  I like to show the transition from “ Jerry Lewis to Dean Martin”. That is Jonathan Miller’s Idea and I buy it.
How long have you been working with opera?

Professionally since ’98.
What do you think makes Minnesota Opera unique from other companies?

Two things, the quality of the work and the organization itself.  Top to bottom the people that work here are second to none.

 

What is your favorite Twin Cities destination?  

Swimming the outdoor pool at the YMCA

Cosi, comme ça !

Feature Friday

Read into the inner most thoughts of our cast and crew of Così fan tutte, premiering September 24 at the Ordway Center for Performing Arts. If you have any questions for our artists for any production post or tweet them to us and you might just see the answer posted here on Feature Fridays!

Jennifer Holloway (Dorabella)

Where are you based when not performing? 

Athens, GA

What advice do you offer aspiring artists?

First off, Work really hard

Second, Be aware.  Notice everything… how people respond to you, what people say, what you feel great about, where you like to be.  All of those things are important.  Observe other folks and what they do that you like.  Maybe you can make that skill your own, too!  That doesn’t mean you have to listen to and do everything everyone suggests, but you should put everything you observe in your bag, so you can pull out exactly the right tool at exactly the right time!  (personally, professionally, or artistically!)  

 After that, be patient.  Everyone’s path is different.  Don’t look at the guy next to you or down the street or the one in the magazines.   You may have to try different things or it may take you a longer or a shorter time to reach your goal. 

Be persisitent…  There are always opportunities… you may have to work harder to find them than the next guy, but if you want it, you can find and MAKE opportunities.

Lastly, and most importantly

Also, BE NICE… to EVERYONE.   Not JUST because you never know who will be important in your career later on, and not just because you will get a reputation and that will affect who will want to hire you, but also because NOBODY has the right to be mean to other people.  You are NEVER more important than other people.

At the end of the day, all of the folks we meet help to form us into the artists and the people we are in the end, and your path MUST be different than the next guy’s because EVERYONE has a different background.  Sure, as advice and take all of that in, but don’t be afraid to go against the grain and do what is right for you.

What tends to be the most challenging element of performing?  

For me, it is most difficult to remember to sing well rather than to act with my voice!!  I love the drama of opera!!!

What is your dream role? And why?

Oh gosh, I have so many I would love to sing!!  Melisande, because I love love love that piece.  It is simply divine.  Maybe there is no great aria for Melisande, but the music is unearthly, and the story is so heartbreaking and heartwarming all at once.  Debussy really got it right.  Also, I love to sing Komponist, Octavian, and Sesto!!!On the not as appropriate side,   I would love to sing Salome.  I know that sounds weird, but I love love love that music, and I think the character would be a BLAST to play.  Even weirder, I would love to sing Escamillo,  if I was a little different singer than I am today, hahaha.    I know baritones hate to sing it, but it is soooooo sexy!!!!   Along the same lines, even though I have been chatted up for it a million and one times and said that I am not ready to accept,  I would love to sing Carmen.  That piece is incredible, and the character so sassy!!

What do you think makes Minnesota Opera unique from other companies?  

For one, the incredible Family atmosphere.  To come in and be welcomed with open arms is so special!!!  Also, I have to hand it to the artistic admin.  They don’t just listen to what everyone else says.  They listen with their own ears and make their OWN decisions.  That is a quality seldom found in the American opera world. In addition, they encourage young artists in a really specific and informed manner.  Most importantly, they never dumb down their season or their mission.  They both challenge and endear the public and inform this wonderful city about the great opera that exists, and by working closely with each of their departments, they are able to sustain an incredible gem of an opera company in the middle of America.  Well done, Minnesota.  I, by the way, am not the first person to recognize these things.  You all ROCK!!!!!

What is your favorite Twin Cities destination?  

I have only been here for a little more than a week, but I love Birchbark Bookstore and the park around the lake nearby, so far!!  I spent a lovely day off enjoying both, together!

 

If you were stuck on a deserted island and could only bring three things, what would they be? 

Lily (my kiddo), Dwayne (my hubby), My Iphone 4 (my connection to everyone else!!)

What has been the most challenging piece you have worked on and why? 

Weird to say, and I have done it a lot, but COSI is the most challenging.  Musically, it is divine, and honestly, textually, it is superb.  The problem is, you have a bunch of people coming together to make one story and also six stories all at the same time.  There is a lot of individual and a lot of ensemble work to be done, and everything must fit together just perfectly.  I think this will be a good one!!
How has music changed your life?  

Not a fair question.  Music has always been a part of my life, so there has been no change.  My husband and I met in marching band, so I guess that is one way.  Opera is a more recent addition, so if that is the question, my whole life changed from girl –who- was- going -to -teach –high- school- band -and -chorus to girl-chasing-a-singing-career.  That’s was weird.  My daughter is super musical because of mom and dad (dad is a jazz drummer) and I think that may have just been something she was born with.  There are so many things that would be socially so much easier if I were a music teacher or a girl in corporate America and lived in one city all of the time, but I am not.   I am a musician… so I travel, and I miss my family, and I never have the same kitchen all year long.  There are trade off’s!!  My life has certainly changed, but it hardly seems unfair!!

If you had to choose a different field of work, what would you choose? 

Hmmmm.   I am pretty content, but if it all ended today, I would without a double TEACH… and not necessarily voice lessons.  I would love to teach high school chorus or band.  It was what I was supposed to be before all of this singing stuff happened!!  I love love love to teach, and I will go back to it, one day.

Jim Jacobson (cello)

 

What made you decide on a career in the arts? 

In High School I became mature enough to appreciate and enjoy the process of practicing I began to consider the life of a musician as more than just a performer.  It was a craftsman’s way of life.  This really illuminated my life‘s direction.   If a life in the Arts was 90% performing and only 10% practice, I would have had no interest.

How long have you been working with opera? 

This is my 14th season.

What do you think makes Minnesota Opera unique from other companies?

The mix of new or at least little known opera with the classics is why I’m excited to be in the pit.

If you were stuck on a deserted island and could only bring three things, what would they be? 

An axe, a mosquito head-net and a photo of my girlfriend.

What has been the most challenging piece you have worked on and why?

Ravel Duo for Violin and Cello.  Most duos are usually difficult because the composers feel the need to cram as many notes into each part as possible.  Maybe they are afraid that the audience would see a duo as sounding thin.  I’ve performed it twice, and that’s enough for  me!

What is your favorite thing about Minnesota?

The combination of slow pace of life with a thriving arts scene.

What are your top three favorite operas? 

La boheme,  Tosca and Don Giovanni.

Have you ever had hot dish, and if so what is your favorite variety?

I avoid it.

What do you like to do when you aren’t busy creating great opera?

I love just sitting quietly in my yard with my girlfriend Jane and our cats.

Where do you get your news?

MPR, New York Times online and BBC News online.