1/31 Monday Music Insights by Mary

“Figlia impure di Bolena,
parli tu di disonore?
Meretrice – indegna, oscena,
In te cada il mio rossore.
Profanato e il soglio inglese
Vil bastarda, dal tuo pie!

(Impure daughter of Boleyn,
do you speak of dishonor?
Obscene and unworthy whore,
May my blush fall on you.
Profaned is the English throne
Vile bastard, by your foot!)

Everyone loves the story of a “diva battle”….and even when one did not exist, they have sometime been created! One thinks of the famous “rivalry” between La Callas and Renata Tebaldi. Certainly these two ladies were too busy to worry about it, but the fans kept the idea going for years. One very famous battle did exist however, and was even reported in the newspaper of Donizetti’s time. The two ladies who sang the roles of Mary Stuart and Elizabeth in the dress rehearsal of his opera, Mary Stuart, were sworn enemies. When Giuseppa Ronzi, singing the role of Mary, turned to Anna del Serre (Elizabeth) to sing the above text in a very convincing manner during the first orchestra rehearsal, a famous fight ensued. Eyewitness accounts spoke of hair-pulling, biting, fainting, and the rehearsal came to a halt. It is one of those moments in history when we would have loved to have been the proverbial “fly on the wall”!
In reality, this scene in Donizetti’s opera had to be invented for the libretto. Elizabeth I and Mary Stuart, although cousins, never met. Elizabeth sensed that she would not be able to make a difficult decision about Mary’s future if she had come to know her personally, so she kept her regal distance. But of course, the idea of a meeting and ensuing exchange of insults is the stuff of a wonderful operatic scene and could not be resisted! A video clip of our Queens is posted at mnopera.org/watchlisten. Better yet, come to the Ordway to see the whole magnificent opera, full of thrilling scenes, including our Diva Battle!

1/24 Monday Music Insights by Mary

The years 1569 to1584 were Mary Stuart’s years of captivity. This time of both intense monotony and despair was spent in various Castles….BOLTON, CHATSWORTH, SHEFFIELD, TUTBURY, WINGFIELD as well as FOTHERINGHAY, where Donizetti’s opera “Mary Stuart” takes place. She was well treated at great expense in these castles. Elizabeth spent 56 Pounds per week on her during the 20 years of her captivity. Mary Stuart also received an annual pension of 1200 Pounds. She never had fewer than 50 people in her service and ate from silver plates. Elizabeth named George Talbot, Earl of Shrewsbury, to be her constant guard. Before she was executed, Talbot was replaced because he was too kind to her. In Donizetti’s opera, we can see the relationship of these two historical figures in the beautiful scene where Mary Stuart confesses her sins to Talbot, because she is not allowed to have a Catholic priest come to her before she is killed.

1/17 Monday Music Insights by Mary

Mary Stuart was held captive in England for about 20 years. During that time, she secretly tried to regain liberty and her crown. While appearing to live a tranquil life, she was conspiring to be set free, corresponding with the ambassadors of France and Spain, with the Pope and with her supporters in Scotland and Holland. Secret signs and secret codes were invented that were changed monthly. She used these to correspond with all of Queen Elizabeth’s enemies. Letters were hidden in linens, books, hollow canes, the lids of jewelry boxes, sometimes even in mirrors. In books that Mary sent to Paris or London, a code was established to find letters on certain pages that spelled out messages. Lord Cecil however, ran a police state, and everyone was under surveillance. He eventually used a series of double agents to trick Mary into agreeing with a plot to overthrow Elizabeth. This was the Babington Plot, and it was what led to her execution.

1/10 Monday Music Insights by Mary

It is customary for an executioner to ask forgiveness from his victim. This executioner did that, and Mary Stuart accepted it. Her ladies JANE KENNEDY and ELIZABETH CURLE undressed her, revealing her red dress underneath her other gown. She also had them help her put on arm length red gloves. The idea was not to have the blood ruin the look of her clothing. She knelt to be decapitated. The first ax blow missed her neck and sliced into her skull. The second reached her neck and she started to bleed, but she had to be struck a 3rd time in order to achieve the decapitation. The executioner seized her head by the hair to show that it had been detached….but the head rolled onto the platform. Her red hair was merely a wig….her head under the wig showed her gray hair was cut short. Her lips continued to move and her teeth to chatter for 15 minutes after her death. The public was terrified…a cloth was thrown over her body and head. When they finally moved her body, something moved under the cloth. Without anyone knowing it, her little dog had followed her to the execution and was cuddling next to her while she was being killed. He came out from her skirt, covered with blood, and ran around barking, screaming and biting….refusing to be taken away from her body. This little dog defended his mistresses with more courage than her own son did, and with more courage than any Scottish noblemen displayed to save their Queen.

Minnesota Opera Blog – Take TWO!

Welcombe back to the Minnesota Opera blog. We’ve taken quite a long hiatus after getting started last season, but between juicy bits on the history of our productions that we’ve been collecting from our Head of Music, Mary Dibbern, the fabulous and vibrant blog kicked off by Tempo, Minnesota Opera’s membership program for opera buffs and newbies, age 21-39, AND a smattering of behind-the-scenes observations from our daily Rehearsal Notes, we think that we have quite a bit to entertain and engage you.

Up next (and only two days late) is our first installation of “Monday Music Musings by Mary” (a title in the works!).

Opera Insights

MN Opera resident artist Michael Nyby here, updating from the intermission of our penultimate performance of the Pearl Fishers. If any readers are coming to our last performance on Sunday, come to the Ordway an hour prior to curtain to watch the Opera Insights presentation, hosted by Mary Dibbern, our marvelous head of music and featuring the vocal stylings of myself and fellow resident artists Naomi Isabel Ruiz and Brad Benoit. Before each performance we sing a few excerpts from the opera and Mary gives a short but very informative and entertaining talk about the opera’s genesis. Hope to see you there!

Hello from Mary

Greetings everyone! I am Mary Dibbern, Head of Music for the Minnesota Opera. I just moved to Minnesota from Paris France, and am happy to be collaborating for the first production of the season, Bizet’s Pearl Fishers! Everyone joked with me about the cold weather here, but actually it is in the upper 70s…perfect to go apple picking when we are not rehearsing. I just bought some tickets as gifts for my cousins, and I hear from the Box Office that Pearl Fishers is already 90 % sold out! So get online or come in to see us at the Minnesota Opera Center and get your tickets toute de suite!!!!