They trade booze, tell stories, play soccer, and do other fun things to cut the tension of wanting nothing but to murder each other moments before.

I Remember Thursday

“The work, based on a true incident from WWI, tells of three troops- one Scots, one German, and one French- who agree to a truce for Christmas eve, and find themselves unable to fight thereafter. The music and acting were stunning in their beauty. I was moved to quiet tears more than once.” -Diana Green 

Diana Green

Diana Green

Diana Green

“Once again, the MN Opera put on an amazing performance. As usual, it’s difficult to draw when the action is so amazing, you want to just lose yourself in what’s going on on-stage, but add to that the incredible sets and music this time around, and I had the most difficult time yet trying to draw what was going on and not just watch. Thanks again to everyone who made this possible! ” -Jeremiah Halonie

Jeremiah Halonie

Jeremiah Halonie

Jeremiah Halonie

“Until last Thursday evening and the world premiere of Silent Night, an operatic rendition of the 2005 movie Joyeux Noel. It relates the tale of British, French, and German soldiers during World War I who disobeyed orders and spent the holiday not killing each other. The experience was, in a word, big. The staging, production and vocals were brilliant.” -Joel Vollmer

Joel Vollmer

Joel Vollmer

“I’m always amazed by the strength and simplicity of the sets at MN Opera, but Silent Night went way beyond previous shows. I was amazed by how viewpoint and sympathy could shift as the stage rotated, and how dropping a window onto the battlefield could transform it into a mansion while retaining the sense of lonliness and fragility.” -Kate Saturday

Kate Saturday

Kate Saturday

“The MN Opera company was kind enough to let myself and several other comic artists in to yet another of their final full dress rehearsals this past week, so we could sketch, and tell you all how awesome it was. Thankfully, it was, as usual, pretty dang awesome. In fact, it was one of my favorites so far. The show was brand new, and commissioned by the opera company and was one of only 3 new, premiering operas in the US this whole year. It was called Silent Night, and was about the Christmas eve truce in WWI, between the French, the Germans, and the Scotts. It was surprisingly light on religious overtones, and focused more on the very human and earthy motivations and interactions of the men and women involved.” -Lee Blauersouth

Lee Blauersouth

Lee Blauersouth

“All the soldiers convene and mingle.  They trade booze, tell stories, play soccer, and do other fun things to cut the tension of wanting nothing but to murder each other moments before.  Horstmayer finds Audebert’s wallet and gives it to him, solidifying their friendship.” -Thomas Boguszewski

Thomas Boguszewski

Thomas Boguszewski

 

 

Bring on the troops!

Music Monday

background notes by David Sander with costume sketches from the show

Silent Night

The General

World War I and the 
Christmas Truce of 1914

Now approaching its centenary, World War I scarcely receives the same attention as its more atrocious and deadlier younger sibling. Yet the conflict’s position in history reveals a horrific change in modern warfare tactics that must have shocked and overwhelmed its participants.Previously, Western Europe had enjoyed an unprecedented 43-year period of relative peace. The last major clash had been between France and Prussia in 1870–71, instigated by the former, but provoked by the latter over the succession of the Spanish crown to a Hohenzollern heir. Since the Napoleonic wars, the Germans had been engaged in a massive land-grab, acquiring Schleswig-Holstein in 1864; Hesse, Hanover and Mecklenburg in 1867; Bavaria in 1871; and the Alsace and Lorraine districts following the French defeat. It was at this point Wilhelm I appointed himself Emperor of the Second Reich.

Scottish Soldiers

The Kaiser’s rise in prominence attracted the attention of England’s Queen Victoria, who in the process of arranging royal matches for her litter of children, chose Wilhelm’s son, the Crown Prince Frederick, for her oldest daughter “Vicky.” Sadly, the heirs apparent would only enjoy a short time in the spotlight as Frederick died in the first year of his reign, leaving the empire to his son Wilhelm II. Through other dynastic marriages, the new Kaiser found himself first cousins to George V of England, Nicholas II of Russia and various heads of state as Victoria’s other children would make similar matches. Danish King Christian IX likewise became “father-in-law” to Europe through the marriages or successions of his four children. This close bloodline would cast an uneasy pale over the Great War that was to come.

Ponchel

Following the Franco-Prussian War, politics on the Continent continued to sour. France, Austria and Denmark would never get over their strategic and territorial losses. Austria found some solace in assimilating the Balkan nations of Bosnia and Herzegovina, an action supported by the diplomatically sympathetic Germans, while angering the other Balkan nations, Serbia in particular. Russia had the recent unpleasant memory of losing a war in the Crimea (1853–56) fought against Turkey, France and Britain. Nonetheless, an eventual alliance was made between the three unlikely comrades who now feared a newly unified Germany’s menacing power. Britain, in particular, was drawn out of historical isolationism after seeing Russia’s disastrous defeat in the Russo-Japanese war in 1905, knowing France would need at least one functional ally.

Nikolaus Sprink

For all his bluster, Wilhelm II was terrified of the shift in balance of power, for his only treaty was with Austrian Emperor Franz Joseph, a relationship that had been tested by his grandfather in the 1866 war between the two countries. In an unexpected tactical move, when the young Kaiser inherited his empire, he foolishly dismissed the new Reich’s architect, Otto von Bismarck. Through duplicity, diplomacy and guile, the former chancellor had carefully engineered the map of Europe to Germany’s advantage. Wilhelm preferred a more direct approach and embraced the “Schlieffen Plan,” a remarkably detailed and audacious top-secret preparation to invade France through Belgium and the Alsace-Lorraine (to be fair, France had a similar Plan XVII designed to retake its conquered provinces). The army could be sustained by Germany’s vastly superior and government-controlled railway system, giving the initiative enough manpower and artillery to capture Paris in 39 days. Attention could then be shifted to the east, as it would take the third entente member, Russia, at least that long to marshal its forces, thereby avoiding a war on two fronts.

Madeleine Audebert

Wilhelm found his opportunity when the heir to the Austrian Empire, Franz Ferdinand, and his wife were fatally shot on June 28, 1914, in Sarajevo, Bosnia, by a member of the Serbian radical group, the Black Hand (the anarchists had already successfully murdered the king and queen of Serbia in 1903). He privately urged the archduke’s uncle, Franz Joseph, to take decisive action. When a list of unrealistic demands to investigate the matter was rejected (actually the Serbian government agreed to all but a few points), Austria recalled its ambassador and declared war within the month. The resulting conflict in the remote Balkans was hardly a concern for greater Europe, but all the treaties were triggered into action. Russia was honor-bound to defend Serbia and entered the war on its behalf. Wilhelm was obligated to fight on Austria’s side, and to justify the protection of Germany’s own borders in East Prussia, he seized the opportunity to initiate the Schlieffen Plan against Russia and its allies. On August 4, 1914, the Germans invaded Belgium and headed toward France. As this action was a violation of Belgian neutrality, Britain was obliged to enter the war, against strong opposition.

Lieutenant Horstmayer

The Schlieffen Plan was largely an intellectual exercise and didn’t account for a fair amount of Belgian resistance or British involvement. Nonetheless, in a few months the Germans found themselves entrenched on the French border. A war that was supposed to be over in six weeks had stalemated by December. Part of the problem was the increased lethality of industrialized nations. Nineteenth-century warfare had been a gentlemanly undertaking, where major battles would be decided in just a few days. In the four-decade gap since the last skirmish, both sides had significantly developed the velocity and range of artillery, which now included bolt action rifles, Howitzers, machine guns and tanks. Cavalry, cannons and bayonet runs were replaced by large, black, ear-splitting siege guns (christened “Black Berthas,” after the Krupp bomb manufacturing heiress) that yielded nitrate incendiary devices, capable of killing more soldiers with greater force, as did the subsequent introduction of unpredictable, toxic chlorine gas. In trenches that ran from the English Channel to Switzerland, both sides dug in their heals for a subterranean war of attrition and endured hideous conditions – cold, moisture, mud, vermin, barbed wire, bombs and bullets – as well as a range of new illnesses coined “shellshock” and “trench foot.”

Jonathan Dale

By December, Pope Benedict XV called for a cessation of hostilities for the holiday season, and both sides were ready for a break in the unanticipated carnage. Acceptable military code allowed for small armistices during the course of a war (for meals and to bury the dead), and fraternization with the enemy, though discouraged, had occurred as recently as the Crimean, Civil and Franco-Prussian wars. “Tommy” and “Fritz” could put aside obligatory nationalism to see their opponents as regular guys forced into combat by ambitious superiors. Given Britain’s strong German ties, many soldiers had actually worked in England and spoke English. Saxons and Anglo-Saxons had a shared ancestry, and most of the other Germans were Bavarian, Hessian and Westphalian reservists rather than soldiers of the Prussian elite – those were sent to the eastern front to defend their native lands. It was not uncommon for lower-grade officers to also participate in these proceedings, though some shrewdly left it to the enlisted men, believing the casual exchange might lead to useful intelligence from the other side of No Man’s Land.

Father Palmer

Still, an official Christmas truce in 1914 was out-of-the-question, yet contrary to popular belief, there were many of them up and down the lines. The British had received care packages from King George’s daughter, Princess Mary, containing tobacco and chocolate, and the Germans were given cigars, beer and Tannenbäume from 32-year-old Kronprinz Wilhelm (who actually commanded the Fifth Army in the Argonne). Interactions varied from singing holiday songs back-and-forth between the trenches to actual cease-fires with both sides meeting on the battlefield, sharing a smoke and exchanging rations. One had to be careful not to get too close to enemy territory, for some soldiers were taken prisoner if they gained any knowledge of positions or weaponry. Many of the British were perplexed by the appearance of the candle-lit trees over the makeshift bunkers and the kind spirits of the Germans – these were, after all, the same people who had brutally invaded Belgium with little regard for civilian life or property. Nonetheless, if they kept the conversation light and didn’t discuss the war, conviviality could be maintained.

William Dale

Once part of the proud Napoleonic Grande Armée until La Débâcle (their defeat to the Prussians), the French soldiers were a little more hesitant to be cordial, given Germany’s aggressive history toward their country, with its siege and land seizure just 40 years earlier, and at present at the edge of France with the intent to recapture Paris. With the spirit of revanche, their camaraderie was not nearly on the same scale as the British. As one recorded, “You would not find the French and Germans exchanging cigarettes, I think, even if it were the morning of Judgment Day.” (In contrast, one rather ungrateful French soldier remarked to a German, “Beat those Britishers. We have no use for them.”) Though there were short agreements to lay down arms in order to take care of the dead (many of whom had been putrefying on the battlefield for weeks), after the task was completed, the animosity on both sides only grew.

French Soldiers

Experiences varied from place to place. In some cases, wild animals were shot, roasted and shared, and football games (American soccer) allegedly took place on Christmas Day (though the shell-pitted battlefield may have presented somewhat of a challenge). Two famous opera singers were recognized singing at the front. Incidents of haircuts, juggling and backwards bicycling were reported, and newspapers were exchanged as the Germans believed theirs were filled with lies. Many thought of extending the armistice to Boxing Day (December 26) or all the way to the New Year. Photos were taken and letters of disbelief were sent home detailing the unusual circumstances – several found their way into the English and German periodicals alongside reports of their adversaries’ barbarity. When hostilities did resume, it was with reluctance, and the conflict was slow to achieve its original pitch.

British Major

Naturally, when news reached headquarters of these unofficial armistices, the high command was not pleased, but retribution was relatively lax. Though anti-fraternization is key to the success of any soldier, there was still a sense of wartime chivalry and few court-marshals were conducted, only a stern warning not to do it again. Many units were redeployed as it was believed they would not fight with the same voracity now that they had met the enemy face-to-face.

German Soldiers

There was more talk about a truce the following Christmas. Some veiled attempts – songs in trenches and casualty burials – did occur but nothing to the degree as what had been experienced one year earlier. The war had taken on a harsher tone of inhumanity with a greater intensity of slaughter. Soldiers had witnessed the menacing effects of poisonous gas, Zeppelin and airplane bombings and submarine warfare, now tainted by the sinking of the Lusitania, an event that further damaged Germany’s image in the world view (particularly by the Americans, who lost over 100 citizens in the almost 2,000 civilian deaths). In spite of these gruesome engagements, all with high casualties, the battle front was fairly static until the entrance of the United States in 1917. By then, Russia had been consumed by civil unrest, and Austria was secretly suing for peace with France. Finally, by November 11, 1918, Germany came to grips with its folly and surrendered unconditionally.

Kronprinz

In the end, the Schlieffen Plan ultimately failed. So promising at first, the maneuver had underestimated Paris’ garrison and the tenacity of its people, supply-and-demand problems at the invasion’s western-most flank, unreliable communication to forward positions and the earlier-than-anticipated mobilization of Russian troops in the east. The war redrew the map of Europe, costing millions of lives and the end of three empires while laying the groundwork for an even deadlier and more grotesque conflict just two decades later.

German Soldiers

Early in the War to End All Wars, a 25-year-old lance corporal had narrowly escaped death in the first battle of Ypres on the Belgian border. He vehemently declined to participate in the Christmas Truce that followed and was devastated by Second Reich’s loss nearly four years later. Embittered, a wildly patriotic Adolf Hitler set in motion his dangerous course for an apocalyptic new world order.

Anna

I managed to keep singing to Carmen all while wearing a barrel as a pant leg.

Feature Friday

Steven Pomije (supernumerary)

Steven Pomije (supernumerary, left) at Lambda Literary Awards Ceremony with FLUX finalist and author James Klise (right).

If you were stuck on a deserted island and could only bring three things, what would they be?

A completely loaded Kindle Fire with 400 songs and 3,000 books, a comfortable armchair and a side table.

What has been the most challenging piece you have worked on and why?

Supers do whatever we’re asked to do, and when we’re asked to hold upright an iron lantern for 40 minutes in one hand, well, that’s a bit challenging for even the most fit. LOL.

What is your favorite thing about Minnesota?

September. The air is crisp, the leaves begin turning, there is a smell in the air like red wine.

What are your top three favorite operas?

Puccini’s Tosca; Britten’s Peter Grimes; Delibes’ Lakme.

Have you ever had hot dish, and if so what is your favorite variety?

Does the traditional cassoulet from Languedoc count? I love one-pot meals, but hot dish really isn’t my thing.

How do you eat your eggs?

Poached on a toasted bagel with fried tomato.

What do you like to do when you aren’t busy creating great opera?

As I have a career outside of my involvement with the opera, any free time is premium time, and I spend it reading great novels, listening to music while scouring over scores, cooking, and bicycling.

Where do you get your news?

BBC, the Guardian, the Nation, Mother Jones, Facebook.

Name your top five favorite movies.

Moulin Rouge, Billy Elliot, Who’s Afraid of Virginia Woolf, The Cook, the Thief, His Wife, and Her Lover, Chitty Chitty Bang Bang.

Are you really as scandalous as they say you are?

On first impression, people think I’m trouble. Must be something about the look of me.

Andrew Wilkowske (Ponchel, baritone)

Where are you based when not performing?

Andrew Wilkowske (Ponchel, baritone)

My wife, daughter, and I live in St. Paul

What advice do you offer aspiring artists?

If you think you would be happy doing something else, do it!!! If you are truly committed to doing this for a living, be persistent.  Don’t give up.  Over the years I’ve learned that a big part of being successful in this crazy business is just hanging in there.

Who are your biggest inspirations?

My wife Erika Taibl is the most creative and hard-working person I know.  She is a constant source of inspiration for me.  My daughter is the funniest person I’ve met, and I find myself constantly ripping off her gags on stage.  Musically speaking, my biggest inspirations are Paul Simon, Eddie Van Halen, Bryn Terfel, Dimitri Hvorostovsky, Mozart, and Steve Reich.  Lately I’ve been listening a lot to a band called The Hold Steady.  The lead singer, Craig Finn, is a Twin Cities native and is a natural storyteller.  The lyrics namecheck tons of Twin Cities landmarks like 1st Ave, The Quarry, and the Grain Belt Bridge.

Where do you feel you delivered your strongest performance?

Probably in The Grapes of Wrath right here at MN Opera. I got the chance to reprise that performance at Carnegie Hall last year- an experience I will never forget!  Before our dress rehearsal at Carnegie, I just stood center stage and tried to take it all in.  It felt like the scene in Hoosiers when Gene Hackman measures the basketball court at the state tournament  to prove to his players that it is the same size as their home court.  That night in the performance, after Noah’s death scene, the show literally stopped and the audience went nuts.  It was the most spellbinding moment of my professional life.

What tends to be the most challenging element of performing?

Staying healthy in Minnesota weather!!! Remembering that the whole point of singing is communication, not just making pretty noise.

What is your favorite Twin Cities destination?

Kramarcyk’s for lunch, Muffaletta’s for dinner, and Como Park for everything else.

What has been the most challenging piece you have worked on and why?

Probably Casanova’s Homecoming.  I was the understudy for the lead role. It pushes the extremes of baritone vocal range, and it is incredibly challenging musically.  It took me forever to just learn the notes.  Then it took me forever to learn the rhythms.  Then, to put them together, well forget it!

Are you really as scandalous as they say you are?

HAHAHA!!!! Being the father of a four-year-old doesn’t allow me to be too scandalous anymore.  But find me a good babysitter and all bets are off!!!

Are there any favorite backstage stories/moments you would like to share from this or previous performances that our audience might enjoy?

When I was in the chorus of Aida wayyyy back in 1998 there was one night when the backstage monitor got turned off and the entire chorus missed their first entrance.  Seeing a herd of choristers sprinting down the stairwell in togas is something I’ll never forget.

Troy Cook (Father Palmer, baritone)

Where are you based when not performing?  

Troy Cook (Father Palmer, baritone)

I live in Bucks County, PA.

What advice do you offer aspiring artists?

Keep an open mind…Always be willing to try new things.  You never know what you might learn about yourself or your art.

Who are your biggest inspirations?

I would have to say as far as a baritone that I really look up to, that would be Thomas Allen.  I find that he really has the complete package:  A fantastic voice, real command of languages and is a fantastic actor.  He also has an amazing ability to act with his voice, a quality I greatly admire.

What tends to be the most challenging element of performing?

Performing in really large theaters with terrible acoustics.

What do you typically eat before a performance? 

I usually eat something that won’t repeat on me like grilled chicken and veggies…  Nothing too spicy, and I’ll eat several hours before show time.  Sometimes I like an orange at intermission.

Are you really as scandalous as they say you are?

Scandalous is not really a word that has been used to describe me, unless what you are referring to is taking a nude shower onstage.  I guess some would consider that scandalous…

What do you think makes Minnesota Opera unique from other companies?

The Minnesota Opera is not afraid to do challenging repertoire and innovative productions of standard repertoire.  They also have a nice mix in their casting of seasoned professionals and young singers on their way up.  I was lucky enough to be chosen to sing the Count in Marriage of Figaro by Dale and Floyd right out of the Glimmerglass Opera Apprentice Program.  They basically gave my first professional role.

Are there any favorite backstage stories/moments you would like to share from this or previous performances that our audience might enjoy? 

Well this is an onstage moment, but still a good one.  I was singing Escamillo at the Green Mountain Opera Festival in Vermont, and on opening night while singing the high note I was about to do an amazing dismount from a barrel to the floor when the top of the barrel gave way and my foot went through to the floor.  Miraculously I didn’t miss a beat.  I managed to keep singing to Carmen all while wearing a barrel as a pant leg.  A chorister eventually helped me remove the barrel.  The only way that I know what happened is that everyone told me during the intermission.  I guess I went into auto-pilot.  It was crazy!

Have you ever had hot dish, and if so what is your favorite variety?

I have had a “hot dish” before courtesy of a native Minnesotan and former MN opera RAP Andrew Gangestad.  We had a Hot Dish party while singing together in the Berkshires.  Pizza hot dish, tater tot hot dish, taco hot dish were a few of the offerings.  I am also from KY, where we call hot dish casseroles.  We had a casserole at about every meal… I think we kept Campbell’s soup in business.

Do you have Twitter, a Facebook page or website fans can follow? 

My website is:  www.troycookbaritone.com

 

 

It’s Rainin’ Men

Feature Fridays

Ben Wager, the French General, (bass)

Ben Wager, the French General (bass)

Where are you based when not performing? 

Philadelphia, PA

What advice do you offer aspiring artists?

Soak up all criticism and advice you can.  When critiqued, always respond with “Yes, and…” rather than a “yes, BUT!”

Who are your biggest inspirations?

War vets.  It keeps things in perspective.

Where do you feel you delivered your strongest performance?

At the Academy of Vocal Arts as Enrico in Anna Bolena.

What tends to be the most challenging element of performing?

Keeping that little chaos-loving demon living in your brain on a leash!  It may sound strange but every performer I know has some version of that voice in his/her head who just likes to cause trouble when you’re trying your hardest to focus and take things seriously.

What do you think makes Minnesota Opera unique from other companies?

Positive attitude and an uncanny sense purpose and cohesion throughout the entire company.

What has been the most challenging piece you have worked on and why?

Britten’s The Rape of Lucretia.  It’s just musically very tricky: unusual harmonic shifts and rhythms.

How has music changed your life?

It has brought into contact with so many different types of people in countless places that I otherwise may not have.  It’s made me say to myself on numerous occasions:  I can’t believe I get to do this for a living.

If you had to choose a different field of work, what would you choose?

I was a Criminal Justice major in college, I planned to go into the U.S. Marshal’s service.  But if I had to choose one, I’d be a studio bassist.

Are there any favorite backstage stories/moments you would like to share from this or previous performances that our audience might enjoy?

I’m probably one of the last people to sing with Salvatore Licitra who was a good enough colleague to escort me down off a horrendously steep rake during a performance of Andrea Chenier because the costume department accidentally switched my boots so the ones I had on didn’t grip the copper plated surface AT ALL.

Andrzej Goulding (video/projection designer)

Where are you based when not in traveling for work?

Andrzej Goudling (video/projection designer)

I am based in London, England.

Are you really as scandalous as they say you are?

It’s just a rumour, I’m really quite tame.

What advice do you offer aspiring artists?

Work hard, as talent will always win out over just being able to talk the talk.

Who are your biggest inspirations?

I worked (and still do) in set design when I left university and the designer I have worked with all those years has been the biggest influence on my theatre work. From a film point of view it would have to be Tim Burton and Ridley Scott as they both started as artists before moving into film which I can relate to.

With what show would you most like to be involved and why?

As a child I always wanted to make Lord of the Rings as a movie because of the love for creating worlds from scratch. But then along came Peter Jackson and the rest is now history. I did get a slight recompense however, as I ended up working on the musical version.

How do you eat your eggs?

I tend to like mine fried with a little knob of butter thrown in at the end to baste the topside.

What tends to be the most challenging element of performing/producing?

The most challenging element is to find the time to fit all the ideas in. Video is very time consuming if done well, so part of it is knowing the limits of the show as with video you can within reason create anything you want.

If you were stuck on a deserted island and could only bring three things, what would they be?

My wife and our two cats.

What has been the most challenging piece you have worked on and why?

Probably this one simply because of it’s scale.

Do you have Twitter, a Facebook page or website fans can follow?

I have a website; www.agoulding.com.

Michael Nyby, William Dale (baritone)

Where are you based when not performing?

Michael Nyby, William Dale (baritone)

My wife and I just moved last month to Toronto from Vancouver.

What advice do you offer aspiring artists?

The most helpful thing I ever learned was how to accept disappointment from defeat or rejection.

Who are your biggest inspirations?

Mozart, Verdi, and Indiana Jones

Where do you feel you delivered your strongest performance?

In the shower every morning, but unfortunately I have not been able to attain to the same level of genius on the stage.

What tends to be the most challenging element of performing?

For me it’s usually the first entrance in a performance, but once I get past the initial nerves, it’s pretty smooth sailing.

What is your favorite Twin Cities destination?

I have a running route through Boom Island Park, around Nicollet Island and over the Stone Arch Bridge. It’s gorgeous in the autumn.

If you had to choose a different field of work, what would you choose?

I would probably be working as a mechanic in a neighbourhood mountain bike store in Vancouver.

Are you really as scandalous as they say you are?

Yes. Absolutely. No question about it.

Are there any favorite backstage stories/moments you would like to share from this or previous performances that our audience might enjoy?

 Yes, but decency prevents me from sharing in a public forum!

Have you ever had hot dish, and if so what is your favorite variety?

Yes, because I have attended Minnesota Opera’s famous Church Basement Luncheon. I’m not sure what was in it, but I remember it had French’s fried onions as the top layer.*

(*editorial note, Green Bean Casserole)

Getting Closer To Silent Night

Watch + Listen Wednesday

Check out some of the videos from Minnesota Opera’s silent Night workshop. For more videos Check out http://mnopera.org/watchlisten#tab=3 and get a better look.

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