Charlotte = cake: “the dresses looked like you could eat them, and everyone wanted a piece of her”

Monday, February 13, 2012

A Night at the Opera: Werther

This post is unforgivably tardy. Better late than never, I suppose, and while my excuses are legitimate they are still excuses. For one thing, my scanner is an incredibly old, fussy thing that doesn’t always work with my new laptop. Perhaps it’s acting out of spite because I abandoned it for a year while I lived in Korea. Perhaps it isn’t super compatible with my Macbook. Perhaps it’s just old. Whatever the reason, even after attempting to restart the laptop and the scanner several times (which was my usual fix), I haven’t been able to get the scanner to talk to my laptop for a couple of weeks now.

How I Imagine My Electronic Devices Behave:

Laptop: I hate that scanner. It’s old and it smells funny and I don’t want to listen to it anymore.

Scanner: Eh? Did you say something, sonny? Where are my pants?

 

The other reason, a bit less legitimate, is that my sketches are terrible. In short: It was dark, I’m severely night-blind, and I should have brought opera glasses or binoculars or something. Noted for next time.

Though failing to capture the awesome visuals that this opera presented (the sets and costumes were wonderful, as far as I could tell, and the photos on some of my fellow blogger friends’ sites confirmed it), I am finally posting the sketchpad drawings, but please be patient and understanding of the fact that I had to take them with my webcam, so they’re not the best quality. Also, pardon the fingers. You can click on the images to make them bigger.

 

First of all, I loved all the kids. The way they lined up, the way they played in the park, the singing. Super adorable. Those costumes! Here is my attempted gestural sketch of the adorableness.

 

 

Now on to Werther and Charlotte. Their romance, at first, was very sweet. A sort of “love at first sight” kind of story. I’m a sucker for romance, even the tragic kind, so this appealed to me quite a bit. We had some hope that maybe, just maybe, things would work out for these two. I tried to capture some of the chemistry there, the lovely gesture of the way they walked down the staircase together, and Charlotte’s pretty party dress (I don’t think I got the design right at all, but as I mentioned, I had to guess a lot at what the blurs on stage were supposed to be).

 

 

I also sketched a bit of my favorite character in all of this, the younger sister (I think the oldest under Charlotte), Sophie. She totally had a thing for Werther, too, and she had a really cute hat with a ribbon on it. More like a bonnet, I guess? I couldn’t be sure, but the huge round shape of it caught my attention. She spends most of the show either mooning after Werther (I guess she likes the emo boys), or trying to cheer people up (both Charlotte and Werther are on the receiving end of her adorable chipperness). She also has a nice chat with Albert, Charlotte’s fiance.

 

And then things got weird and uncomfortable, and I gave up trying to strain my eyes. Werther grabbed Charlotte’s skirt and made her edge away nervously. Werther rolled around on the floor. HE MADE SOPHIE CRY. Everything got reduced to chibis, all the better to express the complicated feelings. So many FEELINGS!

 

 

And then I switched to marker because I couldn’t even see my pencil sketches while I was drawing them (dark room + book light = bright glare on paper = blind artist), and things got really silly. Charlotte was equated to cake (the dresses looked like you could eat them, and everyone wanted a piece of her). Albert’s consoling speech to Werther came off more as gloating and rubbing it in Werther’s face that he couldn’t have the cake Charlotte, and man, what a nice cake it was.

Captions: “Charlotte = Cake” “Man, it is so great to be married to Charlotte. I can only IMAGINE how much it sucks to be you…” “Yeah ok bro shut up.” “THIS CAKE IS SO DELICIOUS AND MOIST!”

 

 

I kind of stopped trying at all after that.

Captions: “Saddest Panda. 2nd Saddest Panda.” “Be happy!” “All the unshed tears fall back onto the soul, and the drops hammer away at a sad and weary heart.”

 

 

Most adorable suicide ever?

 

…What is wrong with me?

In conclusion, DO go see Werther, or any of the other fine productions at the MN Opera House. Better yet, go see all of them. Get some culture in your life. Listen to some amazingly talented performers sing about love and loss and regrets. It’s way cooler than going to see that new Twilight movie. You’ll thank me later.

 

-Maria

Who is Werther?

Tempo Tuesday

Who is Werther? Tempo Presents: An evening of cocktails and conversation.

James Valenti as Werther

Wednesday, January 11, 2012, 6-9pm

6pm-7pm Cocktails, mingling
7pm-9pm Meet the stars of Werther: James Valenti, Roxana Constantinescu, and director Kevin Newbury; hosted by Minnesota Public Radio’s John Birge.
With special music selections by Victoria Vargas and Nathaniel Peake.

Complimentary hors d’oeuvres. Cash bar featuring fabulous French cocktails.

Where:

The Minneapolis Women’s Club,

410 Oak Grove Street, Minneapolis MN 55403

Tickets: $10 Tempo Members; $15 Non-members
General admission. Space is limited.
To purchase tickets, call Minnesota Opera’s Ticket Office, 612-333-6669, M-F, 9am – 6pm.

 

“The opportunity to meet wonderful people and travel to the world’s most beautiful places.”

Feature Friday

Mary Dibbern (Head of Music)

How long have you been working with opera?

Mary Dibbern (Head of Music)

A man should never ask a lady her age!

What do you think makes Minnesota Opera unique from other companies?

A combination of the courageous repertoire decisions, always perfectly cast, along with the family spirit of the personnel.

Have you ever had hot dish, and if so what is your favorite variety?

Tuna with potato chips on top (must stay crispy during the cooking.)

What are your top three favorite operas?

La Juive by Halévy, L’Etoile by Chabrier and Les Troyens by Berlioz.

How has music changed your life?

The opportunity to meet wonderful people and travel to the world’s most beautiful places.

If you had to choose a different field of work, what would you choose?

Medicine.

What has been the most challenging piece you have worked on and why?

Berg’s Lulu. I was one of the pianists for the rehearsals at the new production of the Paris Opera several years ago. The piano score is hard to read because there is so much music. I finally took white-out and eliminated everything I didn’t think I would play so that I could look at it without stress!

Are you really as scandalous as they say you are?

Je ne sais pas, mon cher!

Do you have Twitter, a Facebook page or website fans can follow?

www.Mary-Dibbern.com

Do you speak any languages besides English? What are they?

French fluently, opera coach’s Italian and German. I used to speak enough Mandarin Chinese to get into trouble, but not to get out.

 John Lindsey (tenor, Resident Artist, Schmidt)

How has music changed your life?

John Lindsey (tenor, Resident Artist, Schmidt)

John Lindsey (tenor, Resident Artist, Schmidt in the upcoming Werther)

The biggest thing music has done for me is improved my ability to communicate. I’m very quiet by nature, so being on stage and laying all of your emotions out on the table is an important learning experience. Having the music be the motor behind that emotion is very nice.

What are your top three favorite operas?

Carmen, Otello, and Turandot, for now. That will change by next week. I can’t ever narrow it down.

What has been the most challenging piece you have worked on and why?

I had to do the Male Chorus in The Rape of Lucretia when I was 20 and was absolutely terrified. I was very new to opera, and singing Britten as one of my first big roles was very hard, musically speaking.

Are there any favorite backstage stories/moments you would like to share from this or previous productions that our audience might enjoy?

There was a production in college I did of Marriage of Figaro. One of my best friends was playing the Count, and was supposed to open a window during the second act finale to look for Cherubino. The window, of course, just opened to the backstage area– so three or four of us guys stripped down to our boxers and posed like a model ad in the window, but just out of sight of the audience. He opened it and saw us and started cracking up. We didn’t think he would be able to get it together before his next line, but he did. He told us it was only because he bit his cheek on purpose to stop laughing. Professionalism in action all around, back then.

What is your dream role?

My dream role has always been Don Jose, but since I was lucky enough to do it already, I’m waiting to do Otello now. That one would be fun.

If you had to choose a different field of work, what would you choose?

I would be a personal trainer, I think. Or maybe go back to manual labor stuff like working roofs and lumber mills. I always really enjoyed that.

Have you ever had hot dish, and if so what is your favorite variety?

I grew up on all kinds of hot dish stuff– tuna casserole, frito pie, green bean casserole, shepherd’s pie, the list goes on and on. I think green bean casserole has always been my favorite.

What tends to be the most challenging element of performing?

Staying engaged in a character between scenes can be tricky, particularly if you’re playing one of the many crazy people in opera. If you completely let down it will translate into the next scene, but if you try to get too into it backstage people start wondering if you’ll be committed to an asylum during the run of the show.

If you were stuck on a deserted island and could only bring three things, what would they be?

If we’re talking material things (because I certainly would want my girlfriend and her dog to be there!), I guess I would say as much good cheese as possible, a set of weights to work off the cheese, and a good bottle of scotch for nights next to the campfire as we wait to be rescued.

Do you have Twitter, a Facebook page or website fans can follow?

ww.johnrobertlindsey.com